COMPUTING
POWER FOR THE ARTS
New computing cluster to maximize experimentation,
productivity
When
LSU’s Ruth Z. McCoy Professor of Interior Design, Phillip
Tebbut, tells his students to render their designs, they usually
don’t expect to see their completed renderings of restaurant
and commercial building interiors on their computer screens until
the next day. That is all about to change thanks to a new computing
cluster.
Nemeaux, a cluster of 24 Apple Xserve G5 machines, will enable
Tebbut’s students to render their designs in a significantly
shorter time: 15 minutes. Purchased with a $114,000 grant from
the Louisiana Board of Regents, the Nemeaux cluster will be used
primarily for creative and research projects in the computational
arts, including animation rendering, video compositing, and network-based
digital audio. The Laboratory for Creative Arts & Technologies
(LCAT), a division of LSU’s Center for Computation &
Technology (CCT), plans to use current rendering systems in conjunction
with the SuperMike cluster to create a range of computational
options. Through rendering, students are able to translate a set
of computer data and virtual objects into a full visual representation
of those objects.
“Nemeaux will enhance the work and experience of students
like never before,” says Stephen David Beck, LCAT director
and professor of composition and computer music in the School
of Music. “The increased speed and decreased rendering times
will allow students to perform more work and increase productivity.
We finally have the resources we need for heavy-duty computing
in the arts.”
Though the new cluster is well-suited for application in computer
animation, it will be a valuable research tool for other areas
as well. Students will be able to engage in research on computational
aspects of music, video, film, and art, while collaborating with
top researchers in grid computing, scientific visualization, and
human-computer interface. With a cluster this powerful, there
are numerous unknown applications as yet that researchers will
be able to explore.
“Someone like Philip Tebbut would benefit greatly because
his students will be able to become more involved with the computational
part of their work. They will now have the tools to develop those
skills,” says Stacey Simmons, LCAT assistant director.
These
advances couldn’t come at a better time for LCAT, as Baton
Rouge will be hosting an animation festival in the spring of 2005.
The Red Stick International Animation Festival will showcase a
variety of technologically created art forms and allow those in
the field many opportunities to make connections. Workshops, screenings,
and lectures by speakers from such notable companies as Pixar
Studios will be housed at the Shaw Center for the Arts in downtown
Baton Rouge. Thanks to Nemeaux, LSU students will be able to take
their inspiration derived from the festival back to the lab and
make an impressive showing of their own.
ON
THE WEB:
LSU Laboratory for Creative
Arts & Technologies
Red Stick International
Animation Festival
from Fall 2004